Native Cultures: Mesquite Flour

•November 30, 2011 • 1 Comment

Native Cultures: Mesquite Flour. (click this link)

TREE OF LIFE NURSERY: in San Juan Capistrano

Featured New Product: Mesquite Flour

From the Seri People of the Sonoran Desert

Premier of this new item, cooking demos and Tasting Event, Saturday December 3, 2011 – 9a-1p

Mesquite Flour ($9.50 for 8 oz bag)
(Prosopis glandulosa var. torreyana)

Collected, fire roasted, and milled by the Seri People
of Sonora, Mexico.  Purchased directly from the Seri.

Indigenous food.  High in protein and gluten free.
Can be mixed with other flours for baking and cooking
to add delicious sweet flavor and increase health benefits.
Suggested use: 1/4 cup Mesquite Flour + 3/4 cup Flour of
your choice to substitute for 1 cup Wheat Flour.

Slow Food Foundation Information about Seri Fire Roasted Mesquite Flour

Recipes from Arizona Mesquite Company

Reconnecting to our food traditions in America
Article by Colin Dunleavy, Tree of Life Nursery Intern, Fall 2011

Native people sustained themselves for centuries by eating the pods of mesquite trees (Prosopis glandulosa). The pods of the mesquite tree were simply ground into a flour or meal. Mesquite flour is not only nourishing for our every day diet but is also a sustainable source of food found in our local ecosystem. By incorporating native plants into our agricultural and landscaping practices we can encourage conservation and better protect the health of our environment.

The mesquite tree grows among desert regions in southwest America and Mexico in conditions unsuitable for most agriculture. It takes little cultivation and prospers without supplemental irrigation, pesticides or fertilizers. The Seri people of the desert regions continue to support themselves by sustainably harvesting and consuming the pods of the mesquite tree. These people are known for their ability to survive and prosper among harsh conditions while maintaining harmony with the land. Their survival can be credited to the connection they have to their natural resources and sustainable methods. They produce their mesquite flour by integrating traditional knowledge with ecological practices. Seri mesquite flour is made from sustainably harvested mesquite pods, fire roasted and milled in Sonora, Mexico.

Mesquite flour has a rich, caramel and nutty flavor and can be used in baking or as a seasoning. It is high in soluble fiber and has more protein than most grain flours. Mesquite is also a good source of minerals including magnesium, calcium, zinc, iron and potassium. It is low in carbohydrates and is naturally gluten free. Although mesquite has a subtle sweetness, its natural sugar comes in the form of fructose, which does not require insulin for it to be metabolized. It has been reported to be effective in balancing blood sugar. Thus, it can be an important addition to low-glycemic or diabetic diets, since it can help maintain steady blood sugar levels that are disrupted by processed flours. When you first begin using mesquite flour, for every cup of flour needed, use ¼ cup mesquite and ¾ cup of any desired flour. This is a general guideline to use as you adjust to its rich flavor. It is also a great addition to smoothies and any amount can be used according to the flavor or nutrients you want to obtain.

Websites used in the compilation of this article:

The Center for Sustainable Environments at Northern Arizona University
Mesquite Flour: The Rediscovered Food Phenomenon

HubPages Entry: Using Mesquite Flour to Prevent Diabetes

Native Foods Make a Comeback in Southwest: KPBS video with Lydia Vassar, Tucson mesquite folks, and me

•November 24, 2011 • 2 Comments

 

Thank you Jill Replogle from KPBS Fronteras Desk.

Here is the link with photos and transcript.

Teodora Cuero, Leonor Farlow, and Mike Wilken at CSUSM

•November 5, 2011 • Leave a Comment

Teodora Cuero, Leonor Farlow, and Mike Wilken will be speaking at my Art and World Cultures class at 5:30 pm on Wednesday, November 9. Their lecture/multimedia presentation is free and open to the public. Hope to see you there! They recently were featured in an article in the LA Times. Thanks to CSUSM Arts & Lectures for funding this event, and to Marilyn Huerta for creating the poster. (There is a fee for parking.)

Prickly pear tunas

•October 17, 2011 • 4 Comments

These tunas are the domesticated variety, Opuntia ficus_indica, that grow wild all over the San Diego County back country roads. The really red ones are ready to eat and/or juice, the yellow-orange ones, which get more shade, should ripen in a couple of weeks. Longer gathering season . . .

These are some of the reddest tunas I’ve ever seen. I’ll be back in a few days to gather them to make juice, which I freeze for the coming months. The tunas are incredibly nutritious. Several articles about the health benefits of the juice are posted on the Arizona Cactus Ranch website here. For recipes, there’s the Prickly Pear Cookbook by Carolyn Niethammer. The pads are edible as well, but it’s the young, bright green pads that ripen in the spring that are good to eat, minus the spines, of course.

Native Cultures Workshop: Contemporary uses of Native American foods with Abe Sanchez

•October 14, 2011 • Leave a Comment

TREE OF LIFE native plant nursery in San Juan Capistrano.
Workshop: Saturday, October 15: 10am – 1p
m

From the Tree of Life website: “Workshop back by popular demand!  Native American foods have been around for centuries, but now, with the use of some modern tools and conveniences, learn how to use native ingredients (plants!) in creative, appetizing and modern presentations. Through both study and experimentation, Abe Sanchez has developed a vocabulary of native materials to use in contemporary ways.  An accomplished basket weaver as well, Abe will bring a beautiful display as well as delicious foods to sample.  Formal discussion at 10 AM, samples available until 1pm.  A “contribution” of $5-10 per person would be much appreciated to help pay for the delicious food ingredients.”

Photos below from Abe’s workshop in Spring 2011.

Another of Abe’s amazing baskets woven with sumac as the coiling material, juncus and dyed juncus as the design material, and deergrass for the foundation. See a multitude of links about Abe Sanchez here.

Teodora Cuero and Mike Wilken on front page of LA Times

•September 27, 2011 • 1 Comment

Click here for LA TIMES article

This is so exciting to see our friends Teodora Cuero and Mike Wilken on the front page of the LA Times!

Her mother and grandmother taught her about the plants along the way. A red shank rinse eased a toothache. Elderberry flowers reduced a fever. Buckwheat blooms settled an upset stomach. And later in whispers: Woolly blue curls were for ladies trying to seem chaste who, as she says now, “needed to tighten things up.”

She laughs and adds, “So I hear. I never used it.” —excerpt from the LA TIMES article by Joe Mozingo

Below is a photo of Teodora gathering woolly blue curls.

Teodora and Mike, as well as Kiliwa elder Leonor Farlow, will be joining us in my World Cultures class on November 9th at California State University San Marcos at 5:30 in ARTS 111 as part of the Arts & Lectures series. The event is free and open to the public.

Don Bartletti also created a short video of Teodora and Mike. Click here.

California Indian Day: Ishi, A Story of Dignity, Hope and Courage Film Screening

•September 21, 2011 • 1 Comment

Film Screening of Ishi tonight at CSUSM during my World Cultures class at 6pm in ARTS 111. The grant to bring Nicole Lim to campus was written by colleague Dr. Joely Proudfit. The event was coordinated by Tishmall Turner, CSUSM’s Tribal Liaison, and Arts & Lectures.

ISHI seeks to enrich and expand the story of Ishi and build upon the public’s awareness and appreciation of California Indian history. For many years, Ishi’s legacy has been a non-native construct framed by public and scientific fascination with stereotypical views of the past. 100 years ago (29 Aug 1911) Ishi, considered the last Native American to make contact with European Americans, was “discovered: in Oroville, California.

The accompanying lecture will examine the creation of the California Indian Museum’s new Ishi exhibition.  The exhibit’s approach is to reframe Ishi’s legacy through the inclusion of California Indian voices and perspectives on issues, and to build upon current scholarship that helps to change the ways in which Ishi’s legacy is characterized and taught in public schools. Ishi’s character and courage provide lessons for all humanity. CIMCC will gift our campus a copy of the film for our library.

Nicole Lim is Pomo. She received her Bachelor of Arts Degree from the University of California at Berkeley and a Juris Doctorate from the University of San Francisco School of Law. She has worked for the National Indian Justice Center and the California Indian Museum and Cultural Center over the past decade. She has taught numerous undergraduate courses on Native American Studies at San Francisco, Sonoma and Sacramento State Universities.

Ms. Lim serves as a trainer for NIJC’s regional and on-site training programs in the subject matter of Fetal Alcohol Syndrome and its Impact on Justice Systems, Juvenile Delinquency and Gang Violence and Federal Indian Law. She is the executive director of the California Indian Museum and Cultural Center, which seeks to educate the public about California Indian history and cultures from a native perspective.

Full Moon Juncus Gathering

•September 13, 2011 • 1 Comment


On Sunday, we had a Full Moon Juncus Gathering at the Cahuilla juncus patch in Anza. We gathered at the full moon because it’s easier to pull the juncus, healthier for the plants, and produces better material, according to Luiseño basket weaver Lydia Vassar, who organized the gathering with Cahuilla basket weaver Tangie Bogner.

Tangie Bogner, left, and Lydia Vassar, right

Our friend, basket weaver Rose Ramirez, couldn’t make it to the gathering, but she wrote on her Facebook page that she planned to gather from the Juncus textilis patch she planted by her pond on the Pechanga Reservation where she lives. Rose also likes to gather her juncus during the full moon.

Juncus, a riparian plant, is one of the four primary plants used by Native American basketweavers in southern California, along with sumac (Rhus trilobata); deergrass (Mulenbergia ribens); and yucca (Yucca whipplei). The juncus in the Cahuilla patch is fed by an underground spring.

Veronica Rose admiring a juncus stalk with a deep red-brown earth end

All of the basketweavers are particularly interested in gathering juncus with a deep rust-color on the earth end of the juncus. Today, they find the richly colored juncus growing he wetter, swampier areas as well as near elderberry trees, which are always a good sign that there’s moisture in the ground.

“. . . when you find the juncus, and you pull it out and you’ve got 12 inches of this rich deep brown on the bottom, then you’ve struck gold. It’s just so exhilarating.” —Lydia Vassar

Lydia Vassar and Reid pulling juncus

 Gardeners who plant by the phases of the moon say that soil moisture is at its peak during the new and the full moon. The moon helps moisture rise in the earth, and the wetter the soil, it seems, the more easily the basket weavers can gather the juncus.

According to Bev Ortiz, Baja Kumiai basket weavers such as the Celia Silva and her daughter, the late Gloria Casteñeda, from the basketweaving village of San José de la Zorra, Baja California, Mexico, harvest their juncus throughout the year, but only during the full moon. According to the Baja weavers, juncus harvested during the full moon is tougher than juncus picked at other times. See Kumeyaay Basketry

Guadalupe Montes from San Jose de la Zorre, featured on the cover of News from Native California

Guadalupe Montes, holding her coiled juncus basket

Lydia said that she first learned about gathering juncus during the full moon when she was at an artisans’ gathering to demonstrate green weave basketry at the Museum of Man in Balboa Park, and several Baja basket weavers were there as well. They told her it was easier and better for the plants to gather during a full moon.

For the last five years, Lydia has made every effort to gather at that time and encourages other weavers on this side of the border to do the same. She finds there is less mid-stalk breakage because she doesn’t have to tug so hard on the stalk. When she gathers at other times of the month, she notices a 40-50% mid-stalk breakage or cracking along the stalk.

Juncus as spider habitat

By gathering during the full moon, Lydia tells me, “you’re not disturbing the root system by pulling so hard on the above-ground stalks. You don’t disturb the rhizomes. You don’t find chunks or pieces of rhizomes attached to the stalks you’ve just pulled up. And you’re also helping stimulating the growth of new stalks.”

Reid carrying a juncus bundle he helped the basket weavers gather

Lydia gathers a great deal of juncus. She teaches basket weaving at the Pechanga Chámmakilawish School on the Pechanga Reservation. She’s gathering juncus today not only for her own baskets, but also for her students who are learning the traditional southern California open-weave and coiling techniques.

Lydia Vassar's open-weave juncus basket

Lydia teaches her students that “juncus isn’t just an important plant because it’s useful. It’s also a sacred plant whose use stretches back hundreds of years. It’s intimately connected with a hugely important and ancient cultural practice.”

 These days, it’s very difficult to find undisturbed stands of juncus—loss of habitat from development and the invasion of non-native plant species have greatly diminished riparian ecosystems that support thickets of juncus. So this Cahuilla juncus patch is very special, and basket weavers have been gathering here for a long time. Several elders have told us that their grandmothers gathered juncus here.

Veronica Rose with juncus bundle waving to the newly arriving basket weavers

Cahuilla basket weaver Veronica Rose, from the Santa Rosa Reservation, said she has never gathered juncus for her baskets anywhere else.

Maren Peterson helping the basketweavers gather juncus

The land is now under the care of Tangie and Sean Bogner, and they generously share their juncus stands with native southern California weavers, helping to promote the revitalization of basket weaving.

Tangie Bogner with juncus bundle

Sean and Tangie have been discussing the possibility of doing a controlled burn to help manage the Cahuilla juncus stands with various agencies and their tribal council. In some areas in the middle of the juncus, the old dead juncus has matted down for years, creating uneven terrain and making walking through the stands difficult.

Controlled burns have been one of several traditional native management practices that maintained the health and vigor of juncus and other plants used for basket weaving.

Lydia Vassar with her juncus bundle

Fire Season from front porch

•August 29, 2011 • Leave a Comment

Fire near Pala Temecula Road moving East at about 1pm. This view from my front porch. Hard to focus on finishing my syllabus for class tonight . . . According to East County Magazine’s emergency reports, the fire started when a car struck a power pole, sparking the fire. Over 100 firefighters are battling the blaze.


I drove to the high point near my house to get a better look. Several folks up there checking it out as well. Fire Season is here.
Update: as of 3:53 this afternoon, fire is now 300 acres and 40 homes evacuated.
Update:  as of 7:30 Tuesday morning, Aug 30, the fire is 60% contained, and those evacuated will be allowed to return to their homes later today. Last night’s marine layer really helped the firefighters.

Luiseño Creation Site vs. Liberty Quarry

•August 9, 2011 • 3 Comments

Liberty (love the name!) Quarry: astounding hubris, disregard, insensitivity, greed, and disrespect for the planet and all those who inhabit it . . . Pechanga Press Release below

FOR IMMEDIATE RELASE
Contact: Jacob Mejia, (951) 675‐0586

Pechanga Sponsors Legislation to Protect Tribe’s Place of Creation

Pechanga Indian Reservation, CA, August 4, 2011 – The Pechanga Band of Luiseño Indians today announced it is sponsoring a bipartisan bill with more than 30 co‐authors in the State Legislature to protect the mountain that is the very birthplace of creation for Pechanga and other Luiseño tribes from being blasted and excavated as a mine for the next 75 years.

Granite Construction Inc. is seeking Riverside County’s approval of its Surface Mining Permit Application to develop the Liberty Quarry, which would be one of the largest open‐pit hard rock mines in the United States generating 5 million tons of aggregate each year.

Located just 500 yards from the Pechanga Indian Reservation, the Liberty Quarry would produce 270 million tons of aggregate by blasting a crater as wide as 117 football fields and as deep as the Empire State Building is tall less than 1/4 of a mile from the heavily populated City of Temecula.

Upon reviewing Liberty Quarry’s Draft Environmental Impact Report, the Pechanga Band determined the 414‐acre project would cause irreparable and immitigable destruction to this place of creation. “Our Tribe participated in the environmental review process and took extraordinary and unprecedented steps to provide Riverside County with ethnographic and other evidence detailing the significance of this area to Pechanga,” said Tribal Chairman Mark Macarro.

Granite’s own ethnographic experts acknowledged the site as significant to the Tribe.

Published in May 2009, the Ethnography Study noted, “…it is clear that much if not all of the Liberty Quarry project area… lies within a landscape that the Pechanga Tribe regards as spiritually significant…As such, this landscape is eligible for National Register of Historic Properties nomination as a TCP [Traditional Cultural Property] district.” Continue reading ‘Luiseño Creation Site vs. Liberty Quarry’

Nex’wetem: Southern California Indian Basket Weavers Gathering 2011

•July 29, 2011 • Leave a Comment

Lydia Vassar teaching Adrian Salgado how to split juncus

The 2011 Nex’wetem Basketweaving Summer Gathering was hosted by the Agua Caliente Cahuilla Culture Committee on July 22-24 in Palm Springs, CA. Lydia Vassar and Tangie Bogner taught several really enthusiastic students how to split juncus and to create open-weave juncus baskets.

Check out WaterTurtleWeaver Luiseño Artist Lydia Vassar’s website.

Thanks to Lorene Sisquoc, co-founder of Nex’wetem, for organizing the gathering; Sean Milanovich, Cultural Specialist with the Agua Caliente Band of Cahuilla Indians, for hosting the event; and Lydia for inviting me to accompany her to the gathering.

Lydia Vassar demonstrating how to start an open-weave juncus basket

Lydia Vassar's demo table of her juncus baskets

One of the plants that I gather is Juncus textilis, a round reed that grows in riparian areas, sandy stream beds gone dry, on the side of creeks and under oaks or willow. Juncus is used fresh for gathering baskets or dried, split and coiled into baskets used for storage, winnowing, cooking or gathering. —from Lydia’s website

Young Cahuilla tribal member learning open-weave juncus basketry

Tangie Bogner helping Daniel Salgado with the start of his open-weave juncus basket

Another talented student in Tangie and Lydia's class with her open-weave juncus basket

Daniel Salgado finishing off the edge of his open-weave juncus basket

Basket weaving teacher Rose Ann Hamilton (R), Adona Modesto-Salgado (L), and another student with their coiled basketry starts

Completed juncus basket


Larger versions of the above images can be seen on Flickr here.

A Southern California Native Cornucopia

•July 15, 2011 • 1 Comment


This past week-end, July 9–10, I photographed the Native Plants for Food & Utilitarian Purposes class at Idyllwild Arts Center taught by a group of stellar teachers, including Craig Torres, Tongva educator and plant specialist in the photo below; Daniel McCarthy, U.S. Forest Service Tribal Relations Program Manager; and Abe Sanchez, master basketweaver and native foods chef.

Renowned Tongva elder and plant specialist Barbara Drake, in the photo above, was scheduled to teach the class, but she was called away by a family emergency.

Lorene Sisquoc, Cahuilla/Apache teacher who has led the class with Barbara for several years, joined us on Sunday to share her wisdom and knowledge of plants and cultural practices, and to sing four beautiful Native songs with Craig to end a spectacular weekend.

Click on this link for images from Barbara Drake and Lorene Sisquoc’s Native Plants for Food and Medicine Class at Idyllwild Arts 2010

Click on this link for images from Barbara Drake and Lorene Sisquoc’s Native Plants for Food and Medicine Class at Idyllwild Arts 2009

We particularly missed Barbara’s warm and welcoming presence. Craig told us how it was Barbara who first inspired his interest in the Tongva cultural revitalization when he was in his early 20’s.

For Craig, participating in and teaching about native plants, foods, and cultural practices is a “way to alleviate some of my anger about people not knowing who we are, who we were, and I channel it into educating. Barbara was the one who inspired me. Barbara and Cindi Alvitre and Lori Sisquoc.”

Abe connected the workshop to the Slow Food Movement: the rejection of the industrialized food chain and all that it represents: the transnational corporations’ control of seeds, the production of genetically modified foods, and the promotion of unsustainable agricultural practices damaging to all species and the earth that sustains us.

Slow Food, an international movement founded in 1986 in Italy, is also a rejection of fast foods and our even faster multi-tasking lifestyles.

The Slow Food Movement promotes local and sustainable organic agricultural practices, farmers’ markets, CSAs (Community Supported Agriculture), and the creation of seed banks to help preserve biodiversity, among their other ethically and ecologically-driven goals.

The week-end workshop was a celebration of California native foods. Above are  stinging nettle leaves wild-gathered by students on the grounds of the Idyllwild Arts campus, then stir-fried with garlic, onions, tomato, and cilantro.

Abe promotes what one might call a native-strong cuisine: native foods as the primary ingredient, but joined with other foods for added nutritional value, flavor, and beauty.


For Craig, Daniel, Abe, Lori, and Barbara, the act of eating has social, political, ecological, and spiritual ramifications. What we eat, therefore, can exacerbate the degradation of the health and well-being of ourselves and our planet, or can contribute to the transformation and healing of all of us.

Below are stir-fried yucca blossoms Abe had gathered in the spring from Yucca whipplei plants, and frozen to store for future use. The students stir-fried the blossom on the classroom’s outdoor camping stoves, adding tomatoes, garlic, onions, and cilantro.

All of the teachers wild gather native plants for food and medicine. Several times throughout the weekend, Craig emphasized the importance of cultivating a deep relationship with the plants that one wild gathers:

When we harvest plants, there’s a certain protocol and etiquette to follow, and it’s very important to do this. You never take more than you can use to survive on Mother Earth. You always respect the plants, because without them, we wouldn’t be here. And you always give back. So when we harvest these plants, we develop relationships with them.

We leave offerings and we pray to the plants. We ask them for their medicine and for their healing before we take them, because that’s a big part of our connection to the land. As you do that over time, you begin to develop a relationship to the plants that you wouldn’t otherwise have. . . .

The students also gathered wild rose petals to top a salad of dandelion greens, mustard greens, and watercress.

For the workshop, the three greens were purchased, but they can be gathered in this region at certain times of the year, along with lambsquarters, mallow, Indian lettuce, and other wild greens. The salad above is inspired by Barbara and Lori’s wild salad recipes.

At the evening of the first day of the workshop, we had the opportunity to travel to three different rock sites in Idyllwild with Daniel, an expert not only in the harvesting and preparation of Native foods, but also the archaeology of the region.


Some of the students and teachers photographed the pictographs in the fading light.

Other students, such as Fernando Lemus below, made drawings.

The next morning, everyone arrived early for Abe’s demonstration of tortilla making. These tortillas were special: prickly pear cactus tortillas, stinging nettle tortillas, and mesquite tortillas. Below, Abe is encouraging all of us to make our own tortillas starting with masa, or corn flour, that can be purchased at any major supermarket in our region.

Then comes adding the blended prickly pear cactus pads to the masa. Prickly pear pads, or nopales, are not only delicious. They’re packed with nutrients and help to lower blood sugar levels.

Craig spoke eloquently of the importance of incorporating native foods into his own diet, because it’s a way for him”

to establish a relationship with these plants and to connect me to my culture. That’s why I feel it’s so important for me to do this. And to bring it back to our people, to our communities, for our health.

Diabetes and other auto-immune diseases run rampant in our communities. We need to develop these relationships with these plants, and that’s what we’re doing here today. That’s what this is all about.

While Abe is busy demonstrating his innovative tortillas, Craig show students how to make chia candy. Featured on Dr. Oz and Oprah, chia is incredibly popular now as the health food industry continues to discover what indigenous people of California and Mexico have known for centuries, that chia is a superfood, an “exceptional and unique low-calorie source of Omega-3 fatty acids, dietary fiber, antioxidants, complete protein, iron, calcium and magnesium.”

Craig roasts the chia seeds, adds pumpkin and sunflower seeds, raisins, dried blueberries and cranberries, heats up agave nectar, and combines it all to make his delicious chia candy. Above, Holly Owens is helping to divide up the trays of chia seed candy into squares. For the class, Craig purchased a readily available and relatively inexpensive, cultivated variety of chia: Salvia hispanica.

The chia native to southern California is Salvia columbariae, a wild chia that grows on precipitious hillsides. It’s quite labor-intensive to gather, and with all of the development and habitat destruction, it’s increasingly rare to find in the wild. You can check out a video of gathering Salvia columbariae seeds here. For my daily dose of chia,@ 2 T, I purchase the cultivated variety online at The Raw Food World.

It’s a busy day. Next, the students have an unscheduled opportunity to observe how prickly pear cactus pads and chia seeds can also serve as medicine.

When one of the Idyllwild Arts staff is bitten by a deer fly, Lori, a gifted teacher with an extensive knowledge of the medicinal uses of the local native plants, quickly improvises a group of little poultices from split-open prickly pear pieces (these were already chopped for the nopales salad), and applies chia seeds as well to help reduce the swelling and inflammation.

For Lori, Craig, Daniel, Abe, and Barbara, sharing is a way of life. The workshop inspired all of us to embrace a combination of native, wild gathered, and local, sustainably produced foods, and to cultivate a deeper and more profound relationship to the plants, animals and earth that sustain all species.

Thank you Daniel, Lori, Abe, Craig, and Idyllwild Arts!!

Traditional Foods Bank Project / Barbara Drake

•May 12, 2011 • Leave a Comment

Video and Music by Josh Knoff, CSUSM alum
VoiceOver by Barbara Drake, Tongva elder, California Native Plants Specialist, and co-founder of the Preserving Our Heritage: A Native Foods Bank Project
VoiceOver recorded by Deborah Small

This week-end, the San Diego Zoo’s Institute for Conservation Research is hosting a Native Foods Workshop for tribal teachers. The workshop will be taught by Barbara Drake, above, assisted by Craig Torres and others.

Chia candy; yucca and Indian lettuce salad; prickly pear/chia limeade; wooly blue curls tea, prickly pear, mesquite, and amaranth tortillas; sunflower seed/nettle soup; acorn and mesquite breads . . .

Thanks to Maren Peterson in Conservation Education at the Institute for Conservation Research for organizing this wonderful workshop.

Seri Artisans at the Cabot’s Pueblo Museum

•March 17, 2011 • 4 Comments

Basket weaver Abe Sanchez asked me to let everyone know that on Saturday and Sunday, April 16 & 17, he is helping to host basket weavers and wood carvers from the Seri/Comca’ac Women’s Artisans Cooperative from Desemboque and Punta Chueca on the Sea of Cortez in Sonora, Mexico at the Cabot’s Pueblo Museum in Desert Hot Springs.

Many Comca’ac women are master basket weavers, and in the photo above, they’re doing a basket dance around one of their stunning baskets.

Seri baskets and jewelry in the photo above. Click here for more images.

Seri artists also are renowned for their ironwood carvings, such as the hummingbird above.

Ironwood, Olneya tesota, is one of the hardest of all woods to carve, and the ironwood trees themselves are now protected. The Ironwood Alliance was established to protect ironwood habitat and associated wildlife, as well as to protect the intellectual property rights of Seri artisans.

For more images and information about ironwood carvings, click here.

Protect Against Radiation with Herbs, Foods and Sea Vegetables

•March 16, 2011 • 4 Comments

Check out a great blog post titled “Natural Substances to Protect Ourselves from Radiation” by Gail Faith Edwards.

First on her list is rosemary, Rosmarinas officinalis. If you don’t have rosemary growing in your garden, you probably have a friend who does.

Start infusing your  rosemary, sage, and mint teas!

The text below is from her Gail Faith Edward’s blog.

RosemaryRosmarinus officinalis – Rosmarinus has been revered for its protective qualities down through the ages. It’s now been found that two compounds in this wild Mediterranean plant, Carnosic and rosmarinic acids, naturally deter radiation poisoning.

In a study published this year in the British Journal of Radiology, February 2 edition, scientists in Spain reported finding that nothing fights radiation damage to micronuclei as well as rosemary. The fact that these compounds found in rosemary are fat soluble allows them to provide highly significant protective anti-mutagenic activity. Even the most powerful water-soluble antioxidants lack the capacity to protect against gamma ray induced damage.

In another study published in the Food and Chemical Toxicology, the generation of radiation induced cellular DNA damage to skin from free radicals was the focus. The researchers sought to demonstrate that rosmarinic acid from rosemary would act as a photo-protector both by acting as a scavenger of free radicals and as an inducer of the body’s own endogenous defense mechanisms. They found that formulation of toxic production was delayed by the use of rosmarinic acid, and the protection factor was 3.34 times greater than for other compounds studied, as measured in micronucleus testing.

So, how can we use rosemary to protect ourselves from radiation damage? I’d suggest taking 30 drops of rosemary tincture once to three times daily in a bit of water, depending on your level of exposure. Rosemary infused oil, applied to the skin will also be effective. Use dried rosemary often in your cooking, and drink rosemary teas and infusions. —Gail Faith Edwards

Besides rosemary, Edwards also recommends other herbs that are high in potassium for protection, including sage, with Cleveland sage pictured above, as well as catnip, peppermint, nettles, borage, and plantain, among others

Agave Harvest

•March 11, 2011 • Leave a Comment

This week-end, CSUSM students from Joely Proudfit’s Political and Economic Development, Bonnie Bade’s Community Ethnobotany, and my Advanced Digital Arts classes will participate in an agave harvest and roast, organized by Lydia Vassar, Luiseño, and Daniel McCarthy, Tribal Relations Manager with the U.S. Forest Service.

In March 2006, Lydia helped Daniel organize a field trip to Anza Borrego Desert State Park to harvest the Agave deserti, once a vitally important Native American food source in southern California. These photos are a preview of this week-end’s fieldtrip.

In the photo above, Lydia and Armando Martinez are harvesting agave.

Here, Lydia demonstates the traditional harvesting method for agave using a long digging stick to her nephew Tristan, from the San Pasqual Band of Kumeyaay Indians and the youngest member of our gathering group.

Lydia revels in teaching Tristan about every aspect of the harvest, including its dangers. When one of our group accidentally impales himself on an agave thorn, Lydia calmly removes it from his hand. Agave thorns were used as awls in basketweaving, Lydia’s specialty. The thorns also were used for tattooing, and the ashes of burned agave stalks used as a dye for tattooing.

Dried agave leaves were pounded and the fiber woven into carrying bags, sandals, cordage, nets, women’s skirts, bow strings, and snares.

After harvesting the hearts of several agaves, we collect some of the leaves for their fiber, as well as for roasting in the earth roasting pit .

Two days later, after 30 hours of roasting the hearts and leaves, we celebrate with an agave feast on the San Pasqual Reservation. The photo above of Lydia gnawing on a roasted agave leaf is one of Lydia’s and my favorites of her.

 
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